Talk in emotional and reference terms when working with composer
A lot of times, the filmmakers use a term wrong when explaining their vision to the composer. This can result in two ramifications. First, the composer might get confused and find it challenging to create the music. Second, he/she might create something that doesn’t match your expectations. The same is true when you are working with a music producer from Los Angeles, California . Explain to them the emotional content your music is supposed to have. Another thing to keep in mind is the number of revisions. For this purpose, you must first check your contract to check the limits. Usually, there are two revisions per cue. The composers don’t mind more revisions if you are paying them a handsome amount. It is a common practice to temp the film before sending it to the music composer. When you do so, temp it using the track that carries the emotional quality that you expect, and a music track that has a similar vibe and instrumentation that you are looking for. If you are looking for